Friday, January 07, 2005

The story of my new movie :)

Sagnik is right - penning an abstract in my blog gives me at least some evidence that I thought of this before some guy makes a movie awfully close to this idea and my idea is forever branded an "inspiration". This is one lesson I have learnt since my days in PTM.

My story is about a happy couple - a high flying investment banker and a lovely, sensible NGO worker - who have been married for 4 years. Theirs was a love marriage much against the wishes of their kin. So, in a sprawling city of mumbai, they have been living alone in a posh, sparsely filled, dimly lit apartment. There comes a time when they get so sick of the pollution, gossip, work schedule, lack of time for eachother that on the fourth anniversary, he gives her two choices - one is a promotion to become a partner which meant more travel, more pressure but more money and the other is to just disappear into wilderness in one of the remote corners of kerala. It was a village they had accidentally visited during their honeymoon and one of their friends was the district collector there. They had enough money to live the rest of their lives in that village and they would be far far away from this maddening crowd, a post man being their only link to the rest of the world. She thinks it's too risky, dangerous. Though unhappy, they know this place and feel safe here. But he's persistent, he talks of how he has always wanted to write a book but could never find the time. He would go there and write about the tribe who inhabit that village (they, called the semai tribe are one of the few non-violent tribes in the world. No violence ever!). He also convinces her that her NGO experience and skills would help emancipate the population there.

So, they pack their bags and buy a nice thatched house facing the back waters and start living there. She soon gets adjusted, finds work for herself among the village crowd, teaching women about hygeine and all that. They walk in the beach in the evenings, make passionate love, sit and talk of everything under the sun. But his book doesn't move - not a word. He toys with a lot of ideas and finally reaches a point of frustration where he drops the whole plan. He then tries doing a lot of things to keep him busy - a teacher, a social worker, an entreprenaur - but the professionalism, the secretary to make calls, the dependence on fax-email-internet and the cause-and-effect principles of a city don't work here. But in this experience he meets up with an old man in the village - the only one who's gone out of the village. He starts talking to him about the tribe and its customs. The old man promises to help him write a book. And during their long talks, he is shocked to know the various inhuman acts that take place as a part of rituals. He swears to change all that - but what it entails is much more than what he can handle. It changes him as a person, screws up his relationship with his wife, and he soon loses perspective and is in the brink of destruction.

The story basically is placed on three premises - one, there's nothing in this world that's perfect. Every good thing has its own disadvantages and you can never remove the bad side of it from the good one. It's like the theory of shadow and self, jeykill and hyde - together they coexist and make sense. but you can never seperate them. EVER! Secondly, each one has his place. You belong somewhere - a place where people share your definitions of truth, good and evil. Beyond that your existence doesn't make any sense. And thirdly and subtly, there are some basic assumptions that make us humans. You never question them - once you question it, you realize the difference between you and an animal is dangerously slim.

My brother's already passed his judgement - this movie will never work in tamil. However, I persist :) Inside my head, it's like a set of glimpses/moments/situations/dialogues. So, if any of you have the resources to make a movie and like this idea and want to discuss it further, do get in touch with me :)

7 Comments:

Anonymous Anonymous said...

wow !!
I really wish I had that kinda "movie sense" in me or whatever.. real good thinking!!!

- vivitsa

1:23 PM  
Anonymous Anonymous said...

hey rat..
one thing is a bit ambiguous in ur script..the basic qualities of an NGO worker are patience and understanding ...if her hubby is fighting social evils and in the process gets screwed up mentally, wudnt it be rite to show her getting more supportive than spilt?? that wud personify her as an NGO worker better...or maybe u focus on "social and personal lives are different"...so, though shes happy with his social work, the split occurs due to disappointments on the personal front...is it so??
and man..i dunno why u have a passion for tragic endings...have seen it in a couple of ur blogs...
the guy fails to reform the tribals..and u conclude with "good and bad are inseparable"...i wud say, u got the philosophy right, but the illustration wrong...
why cant u give a positive ending....something like KB's "Unnaal Mudiyum Thambi"...u have the stuff to make down-to-earth movies which a telling message...
and i challenge ur bro...i bet this movie will work in tamil(if only u make some additions...:-)
a "beach song sequence", a good chunk of their "passionate love", quite a few macho-man fight sequences and a separate, irrelevant comedy track!!
btw, if u r planning a hindi-tamil bilingual, a gaudy song sequence in swiss is a must!!!

8:52 PM  
Blogger Rathish said...

hey da ..

now that you ask me about the split - let me tell you :) It's not about the social work. The truth is they can't have children because of medical reasons (pertaining to the guy). This is something they have come to terms with and there have been times in the past when friends/relatives have ridiculed her for it and he's slammed them left and right - then he was so sure of himself, in the society he lived in, he was a success. But when a similar situation happens here and the wife is badly humiliated, he doesn't come for her rescue. She's done so much for that guy for a basic reason of trust. now that's gone. moreover, through out the movie, the violence quotient in him keeps increasing (for instance, while making love). So, comes a point where things culminate in an irrepairable split - you have to "see" the movie to understand :-)

as regards to the "additions" to make it work, my bro knows me really well, that's why he was sure it won't work!

9:35 AM  
Blogger Kumari said...

Should you make a movie only if it works commercially or make it coz it worked in your mind and that is a good enough reason for you to start with? I don't know...maybe it is not a good enough reason, considering the motivation factor for 'Naragasparisam'. Just remember - which ever path you choose, am tagging along! (at least to pen/voice my comments) :-D

1:18 PM  
Blogger Rathish said...

I still haven't decided whether he'll complete it. Probably he will - in a very autobiographical note. these things, I'll fix once I starting writing :-)

6:24 PM  
Anonymous Anonymous said...

hey!
i was just goofin around the cyber space when i chanced upon this article...

this story somehow in a eerie sense reminded me of kubrick's eyes wide shut...i think the premise is pretty much same...though i would love to write on that subject someday myself...think its worth a shot...i guess indian emotions would be very different from those kubrick tried to portray...

cheers

3:51 AM  
Anonymous Anonymous said...

Whos gonna be hero?Any chance it will be u?

6:33 PM  

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